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CLASS 9 · KAVERI · CHAPTER 6

Twin Melodies

Student-friendly answers for the play about Shruti, Nabin, music traditions, stage directions, and reported speech.

17 worked answersOriginal sample responses

17 worked answers · short steps first, explanations when you need them

Before Reading

Textbook pages

Question Reflect and Respond

Complete the short story using phrases such as “bite the bullet” and “come around.”

Steps only

Match each phrase to the situation in the story.

Answer

winding up; distressed; lost in thought; bring it up; bite the bullet; come around; found words; throw a party.

Twin Melodies

Textbook pages

Question Check Your Understanding Act I

Complete the Act I table about Iqbal's room, the instruments, and the characters' comments.

Steps only

Use the stage setting and each character's instrument and role.

Answer

Iqbal's room; Iqbal—flute, Avinash—tabla, Peter—keyboard, Shruti—violin. Her friends encourage her to speak to her father.

Question Check Your Understanding II–III

Will Shruti speak to her father, and how might he first react? Explain.

Steps only

Use her promise and her father's strict views as evidence.

Answer

Yes, she plans to tell him. He may first refuse because he is strict about music.

Question Check Your Understanding Act II

Complete the summary of Shruti's conversation with her parents and explain what may happen next.

Steps only

Use the word choices and the Act II conflict.

Answer

1 lost in thought; 2 courage; 3 disapproval; 4 plea; 5 firm; 6 scolded; 7 clash; 8 setback. He first refuses, but understanding is possible if they listen.

Question Check Your Understanding Act III

Mark the statements about the final act as true or false.

Steps only

Compare each claim with the final performance and family history.

Answer

1 T; 2 T; 3 F; 4 F; 5 T; 6 F.

Question Critical Reflection I.1

Answer the questions about Shruti wanting to join the fusion concert while respecting her father.

Steps only

Show both her respect for her father and her interest in trying fusion.

Answer

1 D; 2 she wants to explain respectfully; 3 they value different musical styles; 4 Iqbal says her father will understand; 5 worthwhile.

Question Critical Reflection I.2

What changes in Nabin's thinking by the end of the play?

Steps only

Explain how seeing the performance and remembering his past change Nabin.

Answer

1 B; 2 family connection; 3 duty; 4 she can pursue music with support; 5 each has their own path.

Question Critical Reflection II

Explain how the play shows different views about music, authority, family duty, and personal passion.

Steps only

Compare the characters' views and explain what changes Nabin's mind.

Answer

The play joins tradition with new music. Nabin first refuses, then supports Shruti after seeing the group's skill and recalling his own choice.

Question Vocabulary and Structures I–II

Explain what an aside does and why speakers use fillers such as “er” or “ahem.”

Steps only

An aside shares private thoughts; a filler fills a speaking pause.

Answer

Aside: (iv). Fillers: 1, they fill gaps while speaking. Match the emoticons by their expressions.

Question Vocabulary and Structures III

Match the music terms with their meanings.

Steps only

Match each music word to its simple definition.

Answer

1 iii; 2 iv; 3 i; 4 v; 5 ii; 6 vii; 7 vi.

Question Vocabulary and Structures IV

Explain the phrases about personal style, musicality, and practice going down the drain.

Steps only

Replace each phrase with a simple explanation.

Answer

1 lose your unique style; 2 understanding and feeling for music; 3 be wasted.

Question Vocabulary and Structures V–VII

Change the exclamations and short dialogues into reported speech.

Steps only

Use reporting verbs, statement word order, and past tense where needed.

Answer

Both examples are exclamatory. Use exclaimed, praised, joked, apologised, promised, or said; change pronouns and today to that day.

Question Listen and Respond

Identify the yazh and complete the notes from the musician's listening passage.

Steps only

Use the recording and image choices to identify the details.

Answer

Check the audio for the yazh's type, use, earlier form, and design details.

Question Speaking Activity

Explain how stress and intonation can show a character's feelings in a play.

Steps only

Choose key words and explain what a change in pitch communicates.

Answer

Stress “don't/do” for contrast, “promise” for determination, and use a gentle rising tone to show concern.

Question Writing Task

Write a short sample script about a young musician whose parent disapproves of her instrument choice.

Steps only

Use a setting, named speakers, stage directions, conflict, and a possible next step.

Answer

Sample: A student asks her father to hear her play tabla. He is unsure, but her mother suggests listening before deciding.

Question Learning Beyond the Text I

Explain why a play uses names, colons, and bracketed stage directions instead of quotation marks.

Steps only

Explain the speaker label and the purpose of directions.

Answer

The name and colon show who speaks; brackets guide acting and are not spoken aloud.

Question Learning Beyond the Text II–IV

Give a short sample project idea for researching a local instrument and creating a rhythm from everyday objects.

Steps only

Name an instrument, its cultural use, and a safe class rhythm.

Answer

Research a local flute and make a soft rhythm using claps and light desk taps.

Questions and activities were checked against the official NCERT chapter PDF ↗. Answers are written in original wording; no literary passage or illustration is reproduced.

Learnivelle is not affiliated with NCERT.

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